The idea is to explore the role that clothing plays in human existence since its primal origins to these days.  How it defines us according to our geographical location, age, religion, social status, political ideology, ethnicity, etc., as an indicator of societal norms and traditions. 

The basic connections between clothing and shines as we protect of our body from the world as well as the sense of belonging to certain organised groups and the contradiction in Roland Barthes words “clothes reveal as much as they hide” are subject of Isagus constant deep observation. 

As she analyses the dynamic current social environment of multiple tastes, trends, identity gender, etc.  Facing the saying “clothes don’t make the man,” many questions emerge: 
How do we perceive certain outfits in certain people and why? What is the limit between fantasy and aberrations? What makes us choose the style of our clothes? Do our choices reflect always our state of mind? What do we want to convey with them? Is the message clearly perceived or biased by our prejudices, trends, societal norms collective? What do we think about uniforms and uniformity, versus eccentricity? How much can organised societies influence citizens by the fashion imposed on them? How much can clothing mark peoples identity in the current world?

The tipping point of this research was Earth Day 2013, when Washington DC Commission for the Arts and Humanities featured her in a trashion performance in Union Station hall, with the collection Extroversions, performing in a public space where people are in the hurry to travel with their luggage. A place  least  expected to become a Fashion show venue or even an entertainment space. Each dress of this collection had a name, a message, a story to tell. 

After a decade of obsessive work, the number of gowns have been developed, enriched and planned to become a fashion continuum. So far they are approximate two hundred… and counting.